Read Yellow Bird: Oil, Murder, and a Woman's Search for Justice in Indian Country By Sierra Crane Murdoch

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Yellow Bird: Oil, Murder, and a Woman's Search for Justice in Indian Country-Sierra Crane Murdoch

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PULITZER PRIZE FINALIST • The gripping true story of a murder on an Indian reservation, and the unforgettable Arikara woman who becomes obsessed with solving it—an urgent work of literary journalism. “I don’t know a more complicated, original protagonist in literature than Lissa Yellow Bird, or a more dogged reporter in American journalism than Sierra Crane Murdoch.”—William Finnegan, Pulitzer Prize–winning author of Barbarian DaysWINNER OF THE OREGON BOOK AWARD • NOMINATED FOR THE EDGAR® AWARD • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • NPR • Publishers Weekly When Lissa Yellow Bird was released from prison in 2009, she found her home, the Fort Berthold Indian Reservation in North Dakota, transformed by the Bakken oil boom. In her absence, the landscape had been altered beyond recognition, her tribal government swayed by corporate interests, and her community burdened by a surge in violence and addiction. Three years later, when Lissa learned that a young white oil worker, Kristopher “KC” Clarke, had disappeared from his reservation worksite, she became particularly concerned. No one knew where Clarke had gone, and few people were actively looking for him. Yellow Bird traces Lissa’s steps as she obsessively hunts for clues to Clarke’s disappearance. She navigates two worlds—that of her own tribe, changed by its newfound wealth, and that of the non-Native oilmen, down on their luck, who have come to find work on the heels of the economic recession. Her pursuit of Clarke is also a pursuit of redemption, as Lissa atones for her own crimes and reckons with generations of trauma. Yellow Bird is an exquisitely written, masterfully reported story about a search for justice and a remarkable portrait of a complex woman who is smart, funny, eloquent, compassionate, and—when it serves her cause—manipulative. Drawing on eight years of immersive investigation, Sierra Crane Murdoch has produced a profound examination of the legacy of systematic violence inflicted on a tribal nation and a tale of extraordinary healing.

Book Yellow Bird: Oil, Murder, and a Woman's Search for Justice in Indian Country Review :



I first heard about this book on a podcast about Lissa and a murder she helped solve. When I downloaded it as a Kindle edition, I was surprised to discover the length of this book...long. Besides being filled with tedious details, the story jumps around so much that it becomes hard to follow. The author certainly put a lot of work into investigating not only the extraordinary life of Lissa Yellowbird, but also many of the characters on and off the reservation, as well as the history and soul of the reservation itself. For the latter, it is well worth reading. However, it should have been more tightly edited. It was a trudge to finish.
This story of addiction and redemption is a story worth telling, but the story didn’t need to be as detailed and circuitous as it is. Sierra Crane Murdoch spent years of her life delving into the facts of a murder connected to the oil boom on the Fort Berthold Indian Reservation in North Dakota because she didn’t think the story of the murder could be told, as it was in the press, without the story of the reservation and in particular of one woman, Lissa Yellow Bird, who made the case a personal crusade. What the book makes clear is that the national addiction to oil that spurred the boom—the Bakken contains about a six months’ supply of oil for our country—also created a toxic local economy that brought out the worst in some humans, leading to corruption, vice, and violence. Native peoples on this reservation had already been betrayed and mistreated by the US government, and the oil boom and the wealth it generated for a few only made things worse. Crane gets a lot of credit for digging in and exposing all of this.I found the most engaging parts of the book to be the chapters narrated in first person, and indeed, I think Crane could have used the Author’s Note at the end as a preface instead, setting the book up as a story told from her point of view and grounded in her experience. Too many of the chapters jump back and forth in time and bring in too many characters and too many details. About halfway through the book, I became overwhelmed and bored, and wanted to bail out. I Googled “James Henrikson and Sarah Creveling” to find out what happened, then skimmed the rest of the book. Though I applaud the author’s intention and evident hard work, I wish she had involved an editor who could have helped her find a better way to tell the story.

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